µ05: Symphony 4 is finished

It is finally done: Symphony 4: Elegy, demo music available on Soundcloud. I guess it captures some of the mood of these last years. I shy away from calling it my “Covid Symphony”, but it basically is.

#50: The Value of the Musical Long Form

Music in the long form is seriously undervalued nowadays. Especially classical music – typical, but not exclusive domain of the long form – is distorted in public perception into something that is pleasing, calming, soothing, relaxing, inconsequential. Inoffensive snippets and soundbites of Mozart, Beethoven and Bach (and maybe a few others) are what most people get to identify with classical music.

This is caused by the victory of the “song” model of music, where music only exists as a roughly 2-5 minute snippet of melody, typically with voice, and ideally without any difficult melodic development, maybe in an A-B-A form. There is of course value to such music; but it should not be all there is.

Even genres like pop, rock, country, hip hop/rap, R&B etc. have suffered from this. Contrast albums (and their songs) from the 1960s through the early 2000s with what you typically get today. A song like Michael Jackson’s “Thriller” – which did launch the music video business for real – could probably not find (and sustain) an audience today. Concept albums like Eminem’s second and third albums (The Marshall Mathers LP, The Eminem Show) or Fluke’s Risotto and Puppy, or Moloko’s Statues (or even better, Live at Brixton) or Klaus Schulze’s Dig It need to be seen as coherent pieces of work, not just composed of single songs. The iTunes-i-fication has seriously endangered albums, the long form, and our attention span.

Music needs the long form. It needs the symphony, the music drama, the complete concept album. It needs pieces longer than 5 minutes, needs listeners able and willing to sit through a work of more than 30 minutes in concentration, without interruption, and let it work on them, in all their ambiguity, ups and downs, nuances, contradictions.

If you cannot have this, cannot have a serious interrogation of musical material, and the resulting emotional drama, there cannot be true catharsis. Maybe that’s what we are missing today.

#15: Happiness

I have struggled all my life with some form of sense of mortality and the definite sense of an ending. That is, I guess, due to a Catholic upbringing, in which the theme of death is permeating everything, albeit counterpointed with resurrection. I have not always been able to reap the benefit of an unwavering faith that G-d will take care of me just as I wish; because I do not want to presume to know what G-d might want, or to even dare ask G-d to intercede on my behalf. (I use the Jewish spelling of G-d to indicate that we cannot know what “God” actually is).

Life thus consists in hope, but not certainty, that things may well turn out well, but also in the awareness of the struggle that things do not just magically fall into place.

There is also the medieval “Wheel of Fortune” idea, so popularized by the Carmina Burana, which tells the tale that our lives will be favored by the fates some days, and other days not, and that high and low, rich and poor, will suffer from Fortune’s wheel. Breaking the wheel – the utopian notion that was Daenerys’ hope in Game of Thrones – is impossible:

However, hope may lie in realizing and feasting on the punctuated moments of happiness. Akhnaten did have a good little run, as depicted in Philip Glass’ Opera. At the height of his power, he invents monotheism (pace Freud, S. (1939). Moses and Monotheism: Three Essays), and enjoys his triumphant moments as the founder of a revised Egyptian religion, whose traces will probably survive as one of its followers, Moses, carries it with him when fleeing oppression in Egypt.

Yet joy does not last, and as Akhnaten’s realm falls, his happiness comes to an end. But it was real – in the years that he indeed was the new founder of his religion:

Just because the past is difficult, the future unseen, and the present stuck in the uncomfortable middle, this should not prevent us from enjoying the happiness we can make in the meantime. It is hard, excruciatingly hard, but possible, every day, to carve out a moment of transcendence, of divinity, of spirituality, of utter joy, of ecstasy, and of shameless undiluted humanity. Whatever darkness may have befallen you today, cast it out for a few moments, and remember, this is your life, and you control your reaction to it, so that, in the end, with hope, you can have peace.

I guess this was a very strangely Catholic post. Oh well. It’s Easter, why not have some hope!